April 21, 2016. Posted by David Tallacksen.Prince performs at the Fabulous Forum in Inglewood, Calif., in 1985. (Image Credit: Michael Ochs Archives/Getty Images)
Prince — the Purple One, who reeled off pop hits in four different decades — has died at age 57. The shocking news was confirmed by Prince's publicist after reports emerged that police were investigating a death at his Paisley Park estate outside of Minneapolis.
Reporting from Paisley Park Thursday, Andrea Swensson tells Minnesota Public Radio that she was among a few dozen people who had gathered at Prince's estate after hearing of a death there — and that "even the journalists are hugging each other" after hearing that Prince has died.
She added that no word has yet emerged about a possible cause of death.
Swensson, who had met Prince and spent time with him as a part of a retrospective about his film Purple Rain, described his as being "shy, sensitive – and flirtatious."
News of Prince's death emerged after police said they were investigating a death at his estate in Chanhassen, with the Carver County Sheriffs' Department saying that deputies were on the scene.
Citing the musician's recent health problems, TMZ reports:
"The singer — full name Prince Rogers Nelson — had a medical emergency on April 15th that forced his private jet to make an emergency landing in Illinois. But he appeared at a concert the next day to assure his fans he was okay. His people told TMZ he was battling the flu."
Prince was just 19 years old when he released his first album, putting out For You in 1978. In the decades that followed, he went on to develop a unique sound and style that endeared him to generations of audiences – all while exploring new ground as an artist.
His fifth album, 1999, exploded onto America's music scene. Released in 1983, it included hits like "Little Red Corvette" and "1999." It also set the stage for Purple Rain, the 1984 soundtrack album packed with songs such as "When Doves Cry" and "Let's Go Crazy" that became fixtures on the radio and established Prince as a pop culture icon.
As Swensson wrote for MPR about Purple Rain for the film's 30th anniversary in 2014, "it grossed $7.7 million in its opening weekend, beating out Ghostbusters — and racked up comparisons to movies like the Beatles's Hard Day's Night and Citizen Kane in glowing reviews from major media outlets."
Prince also won two Grammys and an Oscar (for Original Song Score) for Purple Rain. In 2007, he won a Golden Globe Award for Best Original Song, for "The Song of the Heart" from Happy Feet.
From 1985 to 2007, Prince won seven Grammy awards — most recently for "Future Baby Mama."Copyright 2016 NPR. To see more, visit http://www.npr.org/.
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April 21, 2016. Posted by Brandy Wood.
Broadway's Alexander Gemignani joins forces with jazz arranger Tedd Firth to bring the Sondheim catalogue alive. Paul Gemignani, Sondheim’s longtime collaborator will be a special guest for the evening. Event details.
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April 20, 2016. Posted by Corey Goldberg.
Manhattan School of Music's Jazz Arts Quintet stops by for an in-studio performance and interview, bringing with them two original tunes and an arrangement of a Herbie Hancock classic.
Hear this group and other top student ensembles featured on 88.3 FM throughout the month of April.
Keep watching the blog for more complete JAM sessions all month long.
MSM Jazz Arts Quintet, directed by Justin DiCioccio
1) Penn Station (Eitan Gofman)
2) Reflections in the Water (Shai Golan)
3) One Finger Snap (Herbie Hancock, arr. Shai Golan)
Shai Golan, Alto Saxophone
Eitan Gofman, Tenor Saxophone
Holger Marjamaa, Piano
Adrian Moring, Bass
Andreas Svendsen, Drums
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April 20, 2016. Posted by Brandy Wood.
The Cicely Tyson High School of Performing & Fine Arts presents their Annual Celebration of Jazz during the month of April - Declared Jazz Month by The U.S. Congress.
The Cicely Tyson School Jazz Band, Directed by Oscar Petty, takes the lead on this concert. The student ensemble is joined by Artists in Residence Adegoke Steve Colson, Oliver Lake, Chris Beck, Andy McKee, and Tyson string instructor Marlene Rice. You don't want to miss these polished and award winning students as they play America's Classical Music - JAZZ.
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April 19, 2016. Posted by David Tallacksen.James Brown performs at the Philharmonie in Cologne, Germany in 2003. (Image Credit: Henning Kaiser/AFP/Getty Images)
James Brown always wanted to take the stage last.
Back in October 1964, promoters insisted that The Rolling Stones close out a concert they were billed on together. As music lore has it, Keith Richards would later say that following James Brown was one of the biggest mistakes the Stones ever made. That night, Brown didn't so much take the stage as levitate onto it: feet in constant motion, that legendary hair bobbing up and down to a beat he owned, all while the crowd screamed.
"At the time, he was so funky and so hot and so good, and he danced so well," writer James McBride says. "He was like watching a preacher preach without having to get saved to Jesus."
When McBride, a National Book Award winner for his novel The Good Lord Bird, decided to write an entire book about James Brown, he wanted to push beyond the hype and racism he says haunts Brown's legacy. He saw the musician's time in jail, drug use and allegations of domestic violence as well documented. Instead, McBride's Kill 'Em And Leave: Searching For James Brown And The American Soul zooms in on the James Brown from Barnwell County, S.C. — whose mother left, who never graduated from high school, who wanted to leave his wealth to educate poor kids like the one he used to be.
"You know, you pick up these biographies in the bookstore and you just find out how the guy died," McBride says. "The more I found out about him, the more I liked him, the more I realized that he truly felt misunderstood and lonely."
To aid his own understanding of the man, McBride tracked down a constellation of folks from Brown's life: cousins, his first wife, former band members and more. He recently spoke with NPR's David Greene about how and why Kill 'Em And Leave — named for Brown's own saying about how to nail a performance — came to be.
David Greene: There's an amazing scene in the book where James Brown is a young janitor at a school in Georgia. You spoke to a couple people who were students there, who would sneak down to the basement and find him practicing the piano.
James McBride: Yeah, one of the ladies who remembers it said it was a great performance. She was about 7 or 8 years old. They weren't supposed to go in the basement, but they just couldn't resist.
So the '60s and '70s, you describe that he really personified the essence of black American pride. Why him, and not the musicians coming from Motown?
Well, James Brown saw himself as a kind of competitor to Motown. He was a guy who you really felt represented the community. Not that Diana Ross and The Supremes and The Temptations didn't, but they were the "Sunday best" people. James Brown was the Monday-to-Friday guy. He was the hardest man in show business. He was like your dad and your uncle: He showed up and he hit hard. He gave out free bicycles at concerts. He was always trying to tell you, directly, to do better and to educate yourself.
You, as a young person, were sort of close to him. You were a kid in the '60s growing up in Queens, and you wrote about looking up at this very imposing house in your neighborhood.
Oh, yeah. His house was across the tracks, on the good side of St. Albans. I used to sneak over, across the Long Island Railroad tracks, and me and my friend Billy Smith, we would stand outside. A bunch of us! Because the rumor was that he would come out of the house, and if you'd promise you'd stay in school, he'd give you money.
That was the rumor.
That was the rumor. It never happened. [Laughs.] And so kids would stand outside his house all the time, and then one day, my sister Dottie did something that no kid I ever thought had the guts do do: She just went up to the front door of this beautiful house, and just knocked. And she met him! And so she came running home and said, "I met James Brown." And we asked, "What did he say?" "He said, 'Stay in school, Dottie.'" And that became the clarion call of my sister for a long time.
Look, we loved James Brown in my house. He was loved; he was admired. His music and his whole persona was so funny. He made up words. He was a complete original.
And he took his role, it sounds like, so seriously. I mean, he did want kids to get educated; he gave reduced ticket prices for kids to come to his concerts. And he also cared so much about his personal appearance, just spending hours on what he looked like. Where did that come from?
They call that, down South, "being proper." People from down South, of all races — they try to be very proper. And because he was so poor, and he was always a snotty kid with raggedy clothes and his hair wasn't combed and so forth, he was always very self-conscious about how he was seen, how he was treated and how he treated others. In fact, his best friend, Leon Austin — when he first met him, Leon Austin's mother took James Brown and Leon Austin into her back room and put them both in the tub, and just washed. She couldn't stand it. And when she was finished washing, she said, "Now I can stand you."
Can you explain the darker side of him? And not just the reputation for his treatment of women and dabbling in drugs, but some band members who just felt so mistreated. He would fine his own band members for the smallest infraction — I mean, not shining their shoes.
First of all, when you run a band, it's not easy. You got one guy who can really play, but he's just hard to handle. And then you got another guy who's a really nice guy, but he can't cut the part. A band is not a democracy: It's show business.
The other part, about him being womanizer and having women problems: I mean, that's true. But I don't he's any [more] unique than some of these other people in show business, who have all kinds of women problems.
Do you think people should excuse it for that reason?
Absolutely not. Of course not. A lot of it was very true. But there were a lot of elements that were also very true, that are never talked about. The fact that he was very generous. The fact that he was never given credit for creating these different styles, that are tabulated now by Billboard and Rolling Stone.
So I think, to some degree, he represents African-American musicians who have never had their say, in terms of history. When you talk about the Rock and Roll [Hall of Fame], when you walk through there and you see Elvis — as much as I loved Elvis — musically, in a technical sense, Elvis was not the cat that Louis Armstrong or James Brown was, in my opinion. Maybe I'm wrong! But the music speaks for itself. James Brown's music still sounds as fresh and as good and as new as it did when he first created it.Copyright 2016 NPR. To see more, visit http://www.npr.org/.
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