July 15, 2014. Posted by Michael Bourne.
“So what music are you most looking forward to hearing?” someone wondered when I first walked into the press room of the Maison du Festival.
“I don’t know,” I said, truly. “Whoever is playing...”
I come to the Montreal Jazz Festival every year -- but not so much for the jazz. I come for the festival, and for all the wonderful people who make the festival happen. The programmers. The press corps. They’re truly for me... loved ones.
And the music IS always good, and even great – a bon festival indeed.
FIJM, le Festival International de JAZZ de Montreal, is the biggest (sez Guinness) and the best (sez me) jazz festival in the world. Here's FIJM 2014 by the numbers:
35 jazzfests for Montreal, 22 jazzfests for moi… 12 days of music, more than 800 concerts, enjoyed by 2 million festgoers on 11 free outdoor stages, 14 ticketed indoor stages, and a boat…
400 accredited media, including me and producer Simon Rentner from WBGO, from 20 countries, including 5 live radio broadcasters - three from France, and KJazz and XM/Sirius from the U.S..
All the music happens within walking distance in and around Montreal's Place des Arts. And, for me, this year better than ever, I actually enjoyed walking all the distance.
Montreal literally translates "Royal Mountain" -- and for someone knee-challenged like me, Montreal is agonizingly-hilled. Just the hill only a block UP from the Hyatt hotel to the Maison du Festival is gruntful.
Which is why I got in better shape for this year's FIJM. No carbs or sugar for 40 days, my own personal Jazz Lent. I lost about 25 pounds, and, as if training for a Jazz Olympics, I walked aplenty.
Plus, all the walking up (and down) worked off all the carbs and sugar I enjoyed so much during the jazzfest.
Especially all the pizzas at one or the other Pizzedelic, always with a Quebecois biere rousse.
© 2014 WBGO
July 1, 2014. Posted by Tim Wilkins.
A memorial service will be held Monday, July 7 at 7 p.m. for pianist and composer Horace Silver, at the Saint Augustine of Hippo Episcopal Church at 290 Henry Street in Manhattan, NY, 10002.
Attire is casual, and the family requests flowers not be sent to the church. In lieu of flowers, contributions may be sent to:
Horace Silver Foundation
20 Emerson Point
New Rochelle, NY 10801
Silver passed away June 18 at his home in New Rochelle from cardiac arrest.
Born in Norwalk, Connecticut in 1928, Silver got his first big break in 1950. when saxophonist Stan Getz heard the pianist's group in Hartford and invited them on tour. Moving to New York in 1951, he recorded many memorable sessions for the Blue Note Records and remained with the label until 1980.
Silver, who was honored as an NEA Jazz Master in 1995, will be remembered for his soulful hard-bop performances and compositions, which include "Peace," "Song For My Father," "Sister Sadie" and "The Preacher."
WBGO says goodbye to this dear friend and master musician. Our condolences go out to Jemela, Greg, other family members and the countless others he touched over the years.
Thank you, Horace, and rest in peace!
© 2014 WBGO
June 29, 2014. Posted by Simon Rentner.
Andre Menard, co-founder and artistic director of the Montreal Jazz Festival, is welcoming everyone to "Tarantino In Concert," the first show of this year's jazzfest, and he's amused by the caveats. "Please be advised there will be coarse language," he says. "And gunshots," he laughs. "Lots of gunshots."
Up from the audience leaps a young woman screaming obscenities and threatening everyone with a .45 too big for her hand. Those in the audience who know the movies of Quentin Tarantino, which is why most of us are there, recognize the moment: Amanda Plummer suddenly screaming and threatening the crowd at a roadside restaurant in the movie "Pulp Fiction." She's ridiculous and even pitiful more than frightening.
She's mostly annoying two patrons having a philosophical discourse. They're hit men, played by Samuel L Jackson and John Travolta. And soon, indeed, there will be lots of gunshots.
"Tarantino In Concert" is a concept that seems somewhat obvious but no one ever thought of it before. While there've been plenty of great screenplays and great screenwrights, Quentin Tarantino dialogue and scenes have been abundantly iconic.
John Travolta bemused by burgers re-named at McDonald's in Paris, where they call a Big Mac a "Royalle with Cheese" …
Christopher Walken remembering how a boy's heirloom watch was hidden away from prison guards — fundamentally hidden away …
The Bride killing Bill …
The Reservoir Dogs killing each other … "Tarantino In Concert" shuffles the most memorable moments from the movies together with pop songs from the soundtracks or that encompass a feeling of the moments. Sometimes, maybe mostly, for laughs. "Jungle Boogie." "Across 110th Street." "Hooked on a Feeling." "Stuck in the Middle with You." Robert DeNiro tells Bridget Fonda "not one more word," and she says one more word, and bang. "Didn't I Blow Your Mind This Time" sings the chorus. Ten studly dudes and even deadlier dames sings all the songs and play all the scenes — as Jackie Brown and Mr Pink and Django Unchained. Not to forget Marcellus getting "medieval on your ass."
(One footnote: Bruce Willis played the prizefighter who angers and then rescues Marcellus from that basement dungeon of "Pulp Fiction," and one of the players in this show is daughter Rumer Willis.)
They're all terrific, as actors, as singers, and inexhaustible as the drummer relentlessly rocking. "Tarantino In Concert" is choreographed all around the intimate Cinquieme Salle of Place des Arts and playing six nights at the Montreal Jazz Festival. With lots of gunshots. -- Michael Bourne
* All photos by Marie Claire Denis
© 2014 WBGO