Play Threefold: Chick Corea, Bobby McFerrin, & Jack DeJohnette
April 24, 2008. Posted by Simon Rentner.
I dislike using qualitative language to describe music. Words fall short, especially when conjuring up the right descriptors for a performance I experienced last night at Carnegie Hall with Chick Corea, Bobby McFerrin, and Jack DeJohnette. That doesn't mean that I couldn't write a novel about what I witnessed. The existence of a concert like this explains why I find myself helplessly committed to a life in music. It was performance art of the highest order. Excluding the encore, they performed one continuous improvisation that included Bobby singing fluently in many made-up languages, Jack losing himself in a voluminous drum solo, and Chick playing a hand drum like a robot. There were drumsticks flying in every direction, some of which landed in Bobby's hair, a game of four-handed piano playing, where Chick and Bobby swapped places on the piano bench, and a captive audience clicking their tongues in unison. Bobby then led us in "making tones," as Chick described it backstage, where the audience and musicians sang sustained notes -- in six-part harmony -- creating intricate cascading patterns in falsetto throughout Carnegie's cavernous hall. Miraculously, we some how pulled it off. During this part of the concert, which Chick proclaimed his "favorite moment," my colleague Doug Yoel, saw patterns floating in the air. I was hallucinating too. - Simon
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