WBGO Blog
  • Carlos Henriquez: The Bronx Pyramid

    April 28, 2016

    image
    Carlos Henriquez in The Bronx. (Image Credit: Lawrence Sumulong for Jazz at Lincoln Center)

    Carlos Henriquez spends a lot of time these days in midtown Manhattan as the Jazz at Lincoln Center Orchestra's bassist — a post he's held since he was a teen. But his roots are uptown in the Bronx. In The Bronx Pyramid, his debut album released last year by JALC's Blue Engine Records, Henriquez acknowledges the neighborhood where he was born and raised. In songs like "Joshua's Dream" and "Brook Ave," the young Nuyorican composer brings together Afro-Latin traditions and his jazz pedigree to pay tribute to the family and community that raised him.

    Jazz Night In America takes in a performance led by Carlos Henriquez at Dizzy's Club Coca-Cola, inside Jazz at Lincoln Center.

    Copyright 2016 WBGO and Jazz At Lincoln Center. To see more, visit WBGO and Jazz At Lincoln Center.

  • 3 Artists From Abroad, For International Jazz Day

    April 28, 2016

    image
    Cyrille Aimée's new album is Let's Get Lost. (Image Credit: Colville Heskey/Courtesy of the artist)

    This Saturday is International Jazz Day. And this year, NPR has a man on the inside.

    Bassist Christian McBride, host of Jazz Night In America, is in town for the all-star show at the White House. So he took the opportunity to swing by NPR headquarters and speak with host Audie Cornish about some of his favorite artists from around the globe.

    Cyrille Aimée

    Vocalist Cyrille Aimée is proficient in the jazz manouche style popularized by Django Reinhardt. But there's much more to her work, and her background. Her mother is from the Dominican Republic, her father is French; she's lived in New York City for many years now.

    "She actually grew up in the same town as Django Reinhardt," McBride says. "So you talk about 'gypsy jazz' — I can't really think of anyone who is carrying on that tradition with more authenticity than Cyrille. What I love about her singing is that not only is she very true to her roots, but she seems to have grasped the sound of American jazz with great strength."

    Cécile McLorin Salvant

    On the topic of Francophone jazz, Cécile McLorin Salvant is from Miami, but she also sings in both French and English, and spent her formative years living and studying in France. (Her parents are French and Haitian.) Her last album For One To Love won the Grammy Award for Best Jazz Vocal Album. "She's another incredible, incredible vocalist," McBride says.

    According to McBride, France has often been welcoming to jazz artists of all stripes.

    "Just artists in general — I believe that the French culture really understands the power and importance of being able to create art. It's not necessarily about selling the art. It's about the power of touching the soul."

    Antonio Sánchez

    The Mexican drummer Antonio Sánchez is probably best known to the general public for his improvised drum score to the Academy Award-winning movie Birdman. But McBride knows him as "Rooney," after many years spent together on the road in guitarist Pat Metheny's band.

    "He's just such a brilliant, brilliant musician," McBride says.

    Sanchez has a degree in classical piano performance, and at first intended to become a rock drummer. Then he came to the U.S. and became a first-call drummer for many jazz musicians.

    "I just love everything about Antonio's personality, his musicianship, and I love playing with him," McBride says. "I've very happy for him that he had this success with Birdman."

    Hugh Masekela

    One of the performers at this year's International Jazz Day main event is the South African trumpeter Hugh Masekela. Throughout his career, he's melded folkloric and popular music with a jazz aesthetic — sometimes to great success, as with his 1968 hit "Grazing In The Grass."

    "I was very honored to play ['Grazing In The Grass'] with Hugh Masekela and Stevie Wonder at the first International Day of Jazz," McBride says. "What an honor to be around Mr. Masekela. He's a very wonderful, wonderful spirit. He and Abdullah Ibrahim were part of the first wave of South African jazz musicians that put South African jazz musicians on the map."

    Copyright 2016 NPR. To see more, visit http://www.npr.org/.

  • Throwback Thursday: Five Great Jazz Tiny Desk Concerts

    April 28, 2016. Posted by David Tallacksen.

    This Saturday, April 30, marks the fifth anniversary of International Jazz Day, a celebration organized by UNESCO to celebrate jazz across the globe. To do our part, we're highlighting some of our favorite jazz musicians to play behind Bob Boilen's desk. Rising stars, young virtuosos, NEA Jazz Masters and veteran ensembles alike have played in NPR's D.C. offices. Here are five standout jazz performances at the Tiny Desk.

    Preservation Hall Jazz Band

    What better place to start this list than with the birthplace of jazz? New Orleans' Preservation Hall Jazz Band plays in the traditional style of its city, a gumbo of gospel, street marching, blaring brass and so much more.

    Christian Scott aTunde Adjuah

    Christian Scott aTunde Adjuah was born in New Orleans and grew up playing with his uncle, saxophonist and Mardi Gras Indian Donald Harrison, Jr. His aesthetic vision, which he calls "Stretch Music," borrows across musical styles and blurs the elements into a unified whole. His music is also dedicated to protest, as in the ferocious number "K.K.P.D." You can hear the intensity of his purpose in every note he blows.

    Sun Ra Arkestra

    One of the greatest holidays in recent memory came after inviting the jazz astronauts of the Sun Ra Arkestra to play the Tiny Desk on Halloween 2014. Led by then-91 year old alto sax player Marshall Allen, the costumed cosmic explorers played a set that pushed the boundaries of tone and color. It's pretty out of this world.

    Edmar Castañeda

    When you think of jazz, the last instrument you might think of is the harp. But Colombian harpist Edmar Castañeda finds seamless ways of blending jazz melodies with Colombian folk rhythms.

    Gary Burton & Julian Lage

    Gary Burton is one of those undisputed masters on his instrument. He popularized the four mallet technique and brought an unheard harmonic approach to the vibraphone. He played with a tiny desk alumnus, guitar prodigy Julian Lage. The two spin tunes of pure beauty and dedicated an impromptu blues for Bob's Tiny Desk.

    Copyright 2016 NPR. To see more, visit http://www.npr.org/.

  • Ralph Peterson Keeps The Beat On WBGO

    April 27, 2016. Posted by Josh Landes.

    Descended from a long line of drummers, Ralph Peterson has kept the family business alive and well over a career that's included Art Blakey's mentorship, and worked with Terence Blanchard, and both Branford and Wynton Marsalis. Ralph talked with Gary Walker about his new record, his life in jazz, and more here on WBGO.

    RALPH


  • Papo Vazquez Talks Four Decades Of Latin Jazz

    April 27, 2016. Posted by Josh Landes.

    Papo Vazquez has written and performed music of all stripes, but his love of Latin Jazz has burned the brightest over the last forty years. He came to WBGO sit down with Gary Walker and unpack his inspirations, compositions, and motivations.

    PAPO PIC