WBGO Blog
  • 'Treme,' Ep. 13: All Politics Is Local

    May 9, 2011. Posted by Joshua Jackson.

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    Steve Earle as Harley performs with Jamie Bernstein in episode 13 (season two, episode three) of Treme. (Image Credit: Paul Schiraldi/HBO)

    Spoiler alert: There are three break-ins during the latest episode of Treme. There's the looting that happened at Janette's old place, the bust of Sonny's apartment and, of course, the sexual assault on LaDonna. (What a performance from Khandi Alexander!)

    It seems like the writers behind the show are attempting to weave the surge of (violent) crime in late-2006 New Orleans into the fabric of the show's narrative. But this episode in particular seems to concentrate on impact of such things on the financially unstable people, especially freelancers and small business owners, who work in service industries — a huge part of the New Orleans economy. Janette won't get anywhere fast with her crazy chef boss. LaDonna can't run her bar. Sonny can't work without an instrument; the life of the musician is further highlighted when Antoine won't even interview for a steady teaching job. And the Nelson Hidalgo storyline highlights how the rich get richer, while subcontractors like Riley (and Chief Lambreaux, for that matter) see relatively little trickle down.

    With me once again to make the commentary much more palatable is Josh Jackson of WBGO. Here's our weekly e-mail discussion of the music of this episode.

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  • 'Treme,' Ep. 12: It's Gonh Be Funky

    May 2, 2011. Posted by Joshua Jackson.

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    DJ Davis (Steve Zahn) and his WWOZ boss (Darien Sills-Evans) argue, while DJ Jeffy Jeff (Spud McConnell) hosts programming. (Image Credit: Paul Schiraldi/HBO)

    In November 2006, new problems were emerging in the rebuilding of New Orleans. To compound the lingering issues with police work immediately after Hurricane Katrina, crime is up again. Government agencies are spending freely with contractors via patronage networks, while working-class laborers are seeing relatively little of that money. There are proposals afoot to rezone the city and wipe out neighborhoods, and new politicians who are debating those ideas. Public schools are underfunded, and parents are taking notice. And, when it can afford it the least, a leading food authority lines up a broadside against the entire city's cuisine — and its culture at large.

    Treme's trick is that these issues are all reflected in intersecting human dramas. In episode two of season two, these plotlines begin to take shape. With me again to help break it all down is New Orleans native Josh Jackson of WBGO. We start, as we always do, with a discussion of the episode's live music performances.

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  • 'Treme,' Episode 11: Fourteen Months After

    April 25, 2011. Posted by Joshua Jackson.

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    In Treme, Annie (Lucia Micarelli), Sonny (Michiel Huisman), John Boutte and Paul Sanchez perform at the Spotted Cat. (Image Credit: Paul Schiraldi/HBO)

    Season one of Treme opened with the placard "Three Months After"; the season two premiere tells us we're now "Fourteen Months After," in November 2006. If anything, this opening episode establishes that not much has changed in post-Katrina New Orleans — and what has changed isn't necessarily for the better.

    With the slow return of residents comes the faster return of violent crime; the police department has its hands full with it. The return of residents also means that Chief Lambreaux gets kicked out of the bar he's been squatting in; it doesn't mean that Creighton is coming back to the Bernette family. (The young Sofia seems to be assuming her late father's place as YouTube-enabled narrator, Greek chorus and voice of the city's pent-up anger, while Toni Bernette's fight with the city on behalf of musicians is only getting worse.) Ladonna is still trying to operate the bar despite her partner's protestations; her ex, Antoine Batiste, is dealing with an abandoned property his girlfriend's family owned but has no documentation for. And the emergence of investors like Nelson (Jon Seda) portends the arrival of people looking to capitalize on tragedy — even if Nelson himself doesn't turn out to be one of them.

    Of course, music still lives in the city, and this time around we have some new faces and new sounds. To break down the music of the season two premiere, WBGO's Josh Jackson joins me again over email to discuss the songs and live performances. (We'll be doing this every week, like we did last season.)

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