April 17, 2015
Among the celebrations of Billie Holiday's centennial birthday anniversary is a new album from Cassandra Wilson. In Coming Forth By Day, one of today's top jazz vocalists salutes one of her idols, drastically rearranging the Holiday songbook.
Jazz Night In America features Cassandra Wilson's blues, country and folk-tinged delivery as she performs her Billie Holiday tribute, and catches up with some key collaborators of both Wilson and Holiday herself.
© 2015 WBGO
April 11, 2015
Since she was a teenager, saxophonist Hailey Niswanger has been drawing attention in the jazz world, and not just because she's a woman in bands most often populated by men. Niswanger's alto- and soprano-sax mastery is captivating. Now 25, she's just released her third album as a bandleader, PDX Soul, and is preparing to go on tour with fellow Portland, Ore., native Esperanza Spalding.
The funk-influenced PDX Soul, which finds Niswanger embracing heavy production and certain elements of smooth jazz, represents a departure from her straight-ahead jazz albums.
"I wanted to show another side of my passion," says Niswanger, who points to Cannonball Adderley, Herbie Hancock and Miles Davis as models of artists who have moved easily among musical styles. "Maybe it's more prone for festival-type vibes and outdoor, standing venues — dance, get up and move."
Niswanger says she sees an opening among her generation for jazz in the way it crosses genre boundaries.
"I think jazz is starting to break into other areas," she says. "I know that this big hip-hop album that just came out, Kendrick Lamar's To Pimp A Butterfly, there's jazz all over the album. There's improvisation; there's jazz saxophone playing all up in there. It's definitely starting to cross over, and I think there might be a new wave of interest, especially for the younger crowd."
NPR's Tamara Keith spoke with Niswanger about PDX Soul, the story of how the saxophone first called to her, and the unique challenges of playing the soprano sax. Hear their conversation at the audio link.Copyright 2015 NPR. To see more, visit http://www.npr.org/.
© 2015 WBGO
April 9, 2015
The Hammond electronic organ was developed with churches in mind, as a lower-cost alternative to pipe organs. But in Philadelphia, a keyboard player named Jimmy Smith was inspired by early jazz experiments on the instrument, and found a devastating way to adapt the new bebop style to the Hammond B-3. It seeded a new tradition of organ players in Philadelphia — major figures like "Groove" Holmes, Jimmy McGriff, Papa John and Joey DeFrancesco, and Trudy Pitts — and kickstarted a new sound in jazz at large.
Jazz Night In America visits Philadelphia for a history lesson and dance party: a tribute to organ masters Smith, Shirley Scott and Charles Earland with six local organists, multiple bands and three guest vocalists. With WXPN, WRTI and the Philadelphia Jazz Project, Jazz Night visits World Cafe Live for a B-3 jam featuring many of the city's finest musicians.
© 2015 WBGO