November 5, 2014. Posted by WBGO.Miguel Zenón performs from Identities Are Changeable at the Newport Jazz Festival. (Image Credit: Adam Kissick for NPR)
Miguel Zenón, the prolific alto saxophonist and composer, has just released a new album called Identities Are Changeable. Based on his interviews with fellow Puerto Ricans living in New York, he's arranged a new book of music to reflect their varying experiences.
Jazz Night in America recorded this unique work live from the 2014 Newport Jazz Festival, and accompanies Zenón to his old stomping grounds in the Bronx.
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October 23, 2014. Posted by WBGO.
Blue Note Records turns 75 this year, and to celebrate, Washington, D.C.'s John F. Kennedy Center for the Performing Arts hosted a concert featuring some of the record label's living legends and rising stars. From the early years with co-founder Alfred Lion to the revitalization under Bruce Lundvall, Blue Note Records has become and remained one of the most iconic brands in jazz.
On Jazz Night in America, hear highlights from the Kennedy Center stage, and reflections on the label's influence with Norah Jones, Terence Blanchard and Dianne Reeves. Blue Note artist Jason Moran guest hosts this episode.
- Robert Glasper & Jason Moran, "Boogie Woogie Stomp" (Glasper, piano; Moran, piano)
- Bobby Hutcherson & McCoy Tyner, "Fly With The Wind" (Hutcherson, vibraphone; Tyner, piano)
- Dianne Reeves, "Stormy Weather" (Reeves, voice; Terence Blanchard, trumpet; Peter Martin, piano; Derrick Hodge, bass; Kendrick Scott, drums)
- Joe Lovano, "Fort Worth" (Lovano, tenor saxophone; Lionel Loueke, guitar; Fabian Almazan, piano; Derrick Hodge, bass; Kendrick Scott, drums)
- Norah Jones, "I've Got To See You Again" (Jones, voice; Wayne Shorter, saxophone; Jason Moran, piano; John Patitucci, bass; Brian Blade, drums)
- Lou Donaldson feat. Dr. Lonnie Smith, "Alligator Boogaloo" (Donaldson, alto saxophone; Smith, organ; Lionel Loueke, guitar; Kendrick Scott, drums)
- Lou Donaldson feat. Dr. Lonnie Smith, "Blues Walk" (same personnel)
Duke Markos, recording and remix engineer. Special thanks to Kevin Struthers and Jean Thill of the Kennedy Center.
© 2014 WBGO
October 16, 2014. Posted by WBGO.
The late pianist Dave Brubeck left jazz with incredible performances, recordings and advocacy — as well as a large body of compositions. His iconic music is reimagined by members of the Jazz at Lincoln Center Orchestra.
Jazz Night in America explores various Brubeck compositions, discussing the decisions the arrangers made when approaching the material. Also, we unearth a rare recording from Brubeck's personal archive of him singing with Carmen McRae.
All compositions by Dave Brubeck.
- "Take Five" (arr. Carlos Henriquez)
- "Unsquare Dance" (arr. Chris Crenshaw)
- "Blue Rondo à la Turk" (arr. Chris Crenshaw)
- "Bluette" (arr. Wynton Marsalis)
- "Cassandra" (arr. Marcus Printup)
- "Tokyo Traffic" (arr. Sherman Irby)
- "Nomad" (arr. Carlos Henriquez)
- "The Duke" (arr. Victor Goines)
- "You Swing Baby"
The Jazz at Lincoln Center Orchestra with Wynton Marsalis: Wynton Marsalis, Marcus Printup, Kenny Rampton, Ryan Kisor, trumpets; Elliot Mason, Chris Crenshaw, Vincent Gardner, trombones; Victor Goines, Sherman Irby, Ted Nash, Walter Blanding, Paul Nedzela, saxophones; Dan Nimmer, piano; Carlos Henriquez, bass; Ali Jackson, drums.
James P. Nichols, recording engineer; Rob Macomber, chief engineer; David Robinson, live mix engineer. "You Swing Baby" is courtesy of the Brubeck Collection, University of the Pacific.Copyright 2014 NPR. To see more, visit http://www.npr.org/.
© 2014 WBGO
October 16, 2014. Posted by WBGO.Wallace Roney leads a performance of Wayne Shorter's "Universe" at the Detroit Jazz Festival. (Image Credit: NPR)
In the late 1960s, when trumpeter Miles Davis was leading his famous second quintet, saxophonist Wayne Shorter wrote a series of new works featuring Davis with orchestra. When the quintet broke up, Shorter put the scores away.
Now, trumpeter Wallace Roney — a protégé of Miles Davis — has received the scores and prepared them for a performance at the 2014 Detroit Jazz Festival. Jazz Night In America presents the very first recording of "Universe" and other rare Wayne Shorter works performed by the Wallace Roney Orchestra, featuring Victor Gould (piano), Buster Williams (bass), Lenny White (drums) and members of the Detroit Symphony Orchestra.
© 2014 WBGO
October 15, 2014. Posted by WBGO.Dreiser Durruthy Bambolé (left) and Yesenia Fernandez Selier dance in front of the Jazz at Lincoln Center Orchestra. (Image Credit: Frank Stewart/Jazz at Lincoln Center)
Building on the Jazz at Lincoln Center Orchestra's recent trip to Cuba, managing and artistic director Wynton Marsalis presents his newest large-scale work: Ochas, a suite for big band and Afro-Cuban percussion. He calls upon young superstar Pedrito Martinez, who brought along a trio of fellow hand percussionists, to execute the chants and rhythms of the batá drums specific to Santería religious practice. And he called upon virtuoso Cuban pianist Chucho Valdés to ignite the proceedings.
The performance launches Jazz at Lincoln Center's 2014-15 calendar and highlights its season-long theme "Jazz Across The Americas."
All compositions by Wynton Marsalis.
- "Agayú Sola"
Wynton Marsalis, trumpet/music director; Pedrito Martinez, batá/vocals; Chucho Valdés, piano. With the Jazz at Lincoln Center Orchestra: Kenny Rampton, trumpet; Marcus Printup, trumpet; Greg Gisbert, trumpet; Vincent Gardner, trombone; Chris Crenshaw, trombone; Elliot Mason, trombone; Sherman Irby, alto saxophone; Ted Nash, alto saxophone; Victor Goines, tenor saxophone; Walter Blanding, tenor saxophone; Paul Nedzela, baritone saxophone; Dan Nimmer, piano; Carlos Henriquez, bass; Ali Jackson, drums. Featuring Román Diaz, batá/vocals; Clemente Medina, batá/vocals; Dreiser Durruthy Bambolé, dance; Yesenia Fernandez Selier, dance; Denise DeJean, vocals; Amma Dawn McKen, vocals.
© 2014 WBGO