August 9, 2011. Posted by Simon Rentner.Marcus Strickland (left) and Eric Harland, during their bands' performances at 92Y Tribeca. (Image Credit: John Rogers for NPR/johnrogersnyc.com)
This installment of The Checkout: Live From 92Y Tribeca features two heavy hitters. Saxophonist Marcus Strickland's upcoming double album Triumph of the Heavy, Vol. 1 & 2 is so named because it seeks the weight of substance and integrity. Drummer Eric Harland pounds the skins with heft and finesse alike; now in his mid-30s, he's already played on a lifetime's worth of records.
Perhaps you know Strickland from the bands of Roy Haynes, Dave Douglas and Jeff "Tain" Watts. Perhaps you know Harland from bands of Charles Lloyd, Dave Holland, McCoy Tyner or Joshua Redman. You get the point: The biggest jazz musicians want these guys for their bands.
Strickland and Harland are beginning to emerge as bandleaders themselves. Strickland has been working with a quartet; it features the lean muscularity of his horn and is grounded by rapport with his twin brother, drummer E.J. Strickland. Harland has just released his debut CD as a leader in the U.S.: Voyager: Live By Night highlights the polychromatic firestorm of his playing as he drives a crackling young band.
The Marcus Strickland Quartet and Eric Harland's Voyager quintet performed a live radio broadcast and online video webcast on WBGO's The Checkout: Live From 92Y Tribeca Tuesday, Aug. 9.
© 2011 WBGO
August 8, 2011. Posted by Tim Wilkins.
At the Newport Jazz Festival this weekend, I was joined by WBGO web producers Tim Wilkins and Alex Rodriguez, who were helping with our broadcast and recording. You can see what Alex and Tim were up to at wbgo.org/newport. And remember, you can hear NPR Music recordings of Newport sets at npr.org/newportjazz.
Somehow in all that, we all found time to hear some music. This morning, we got up early — even before coffee — to recap what we heard via Instant Messenger.
© 2011 WBGO
July 22, 2011. Posted by Simon Rentner.In the 1950s, Astor Piazzolla became a pariah back home for his unconventional, complex tangos. (Image Credit: Courtesy of the artist)
If Argentine composer and performer Astor Piazzolla didn't exist, the subgenre of "Nuevo Tango" — a mix of tango, classical and jazz — wouldn't, either, nor would this taster of accordion jazz. Piazzolla created a massive canon, influencing generations of bandoneon players after him, and he rejuvenated Argentina's greatest musical tradition and export.
However, it was Piazzolla's formative years in New York's Greenwich Village — soaking in the swing of the 1930s — that often informs his style, a jazzier sound he leaned to during his later years. Piazzolla personally touched the lives and music of four of the five artists featured below.Read more
© 2011 WBGO