October 13, 2011. Posted by Simon Rentner.
Spanish flamenco guitarist Tomatito joined Dominican pianist Michel Camilo on the Latin Grammy Award-winning Spain.(Image Credit: Pablo Blazquez Dominguez/Getty Images)
Forget Miles Davis' Sketches of Spain and Chick Corea's Spain. There's a whole other world of so-called "flamenco jazz" out there that lives unrecorded, often inside quaint, tiny rooms (in caves, quite literally) on the mountainside near Granada. There and in other cool Andalusian clubs, nightly musical experiments are taking place, where flamenco palos mix with other jazz influences.
Flamenco is one of Spain's richest musical exports: It parallels jazz in the sense that it's a hodgepodge art form, made up of influences from many cultures that span more than one continent. It's only natural that these styles eventually came together to make something special. Below, we've listed five examples.Read more
© 2011 WBGO
September 27, 2011. Posted by Simon Rentner.
What happens when an improvising cellist decides to pursue the sounds of the American South? Or when three of the most original singers today decide to perform as a trio?
Bonebridge is the new quartet of cellist Erik Friedlander, who has explored jazz with his New York-based trio for years. Inspired by the blues and Southern rock of his teenage years, his 2011 release Bonebridge added guitarist Doug Wamble — here, playing the resonant slide guitar — for proper down-home flavor.
Tillery is the pairing of vocalists Rebecca Martin, Gretchen Parlato and Becca Stevens. All are acclaimed as jazz singers; they've all also written original material with open lines to singer-songwriter folk or modern R&B. The three friends bring their tunes, select covers and guitars to the stage in this collective ensemble.
On Tuesday, Sept. 27 at 8 p.m. ET, The Checkout: Live From 92Y Tribeca paired Erik Friedlander's Bonebridge and the trio Tillery in a double bill. The concert was broadcast on air via WBGO and in an online video webcast at this page on NPR Music. For more information about this series and the full concert archive, visit npr.org/checkoutlive.
© 2011 WBGO
September 21, 2011. Posted by Simon Rentner.Chris Potter (right) performs with the Scott Colley Trio at the 2011 Monterey Jazz Festival. (Image Credit: John Whiting for NPR)
For the penultimate tune in his Monterey Jazz Festival set, bassist Scott Colley called a haunting ballad called "The Peacocks." It gave drummer Antonio Sanchez and tenor saxophonist Chris Potter a chance to inhabit a tune, to dig deeply into a melody and extract its rich marrow. It also afforded Colley a moment to plug the composer — the late, great pianist Jimmy Rowles, who he gigged with as a teenager growing up in Los Angeles. Skip ahead a few decades: Colley, now based in New York, has toured extensively with legends (Carmen McRae, Jim Hall, Herbie Hancock, Andrew Hill, etc.) and, increasingly, is bringing his own bands on the road.
Finally, that break in the action allowed him to praise Monterey. Colley had been coming north from L.A. to these same county fairgrounds since he was 12, he told the audience, and clearly relished the opportunity to perform his own music there. Speaking of which, the trio then slammed into a heavy, rock-ish beat on "Take It And Like It," leaving scorched earth and marveled expressions in its wake.
© 2011 WBGO