• Montreal Drummer Jim Doxas With Michael Bourne

    July 9, 2013. Posted by Tim Wilkins.

    Montreal drummer Jim Doxas talks with WBGO's Michael Bourne about the regular jam sessions he hosts at the city's Hyatt Hotel as part of the Festival International du Jazz de Montreal. Enjoy!


  • Bassist Dave Holland With Michael Bourne in Montreal

    July 9, 2013. Posted by Tim Wilkins.

    Bassist Dave Holland talks with WBGO's Michael Bourne about his new quartet and CD for Sony/Okeh, both named Prism, and his many appearances at the Festive International du Jazz de Montreal. The new group features pianist Craig Taborn, drummer Eric Harland, and guitarist Kevin Eubanks. Enjoy!


  • Bourne's Montreal: FIJM 2013 Dedicated to Dave Brubeck

    July 9, 2013. Posted by Michael Bourne.

    A photograph of Dave Brubeck looked over us from atop Montreal's Place des Arts. FIJM 2013 was dedicated to him. He'd played concerts most of the festival's 34 years. "He was a great friend," said artistic director Andre Menard. "He was the one artist invited to play every year."

    Photo by David Tallacksen

    Wherever he played in the world, he smiled and he laughed, but nowhere more than in Montreal. "It's a jazz audience," Dave said to me at the 2009 jazzfest. "Right there, you're a step ahead of most audiences. Here, you better realize that you've got a lot of sharp minds out there."


    On this year's final festival evening, The Brubeck Brothers, bassist Chris and drummer Dan, played a tribute to their father at Theatre Duceppe. Chuck Lamb played piano. Mike DeMicco played guitar. "Bossa Nova USA" and "Kathy's Waltz" were charming for starters. "You're probably here because you like melodies," said Chris as a welcome.

    Photo by Denis Alix
    Photo by Denis Alix

    Chris told stories about his dad, especially about how some of Dave's classics came about. "Blues for Newport" was composed impromptu ("in three minutes") at Newport when Dave was told the Quartet was being recorded. Chris, Slam-like, scatted along with his electric bass.

    Photo by Denis Alix
    Photo by Denis Alix

    Chris observed that nobody knows where Chuck Lamb will go when he's featured solo. Chuck played in and around the song "Someday My Prince Will Come" (on the Brubeck album "Dave Digs Disney") as a prelude to "Strange Meadowlark," the Brubeck classic that first turned me on to jazz.

    Chris remembered when he and Dan were kids, when their father came home from a long-night gig and their mother said not to wake him. "We were in our room playing all these Disney records," said Chris, "and he must have heard all those songs through the wall. We figure all those songs got into his dreams."

    Photo by Denis Alix
    Photo by Denis Alix

    Dave composed an exotic groover called "The Jazzanians" inspired by his son Darius. Darius plays piano and, when he lived for years in South Africa, he gathered a band with musicians of all races.

    "My One Bad Habit," a beautiful ballad recorded by Carmen McRae, was inspired by Ella Fitzgerald. His father was hanging with Ella one night after a gig, said Chris.

    "She was in a funk. He asked what was wrong. She said 'Dave, my one bad habit is falling in love.'"

    Photo by Denis Alix
    Photo by Denis Alix

    Chris played Ella's lament from the deepest heart of his trombone. Iola Brubeck, mother of the Brothers, wrote the lyric to "My One Bad Habit" and inspired "In Your Own Sweet Way," played by everyone... sweetly.

    Three of Montreal's best -- bassist Adrian Vedady, saxophonist Chet Doxas, and pianist Lorraine Desmarais -- joined the Brothers for several highlights, especially one of Brubeck's least-known but most exquisite songs, also for his wife of more than 70 years, "For Iola."


    "Take Five" was the inevitable climax with DeMicco's guitar standing in for Paul Desmond and everyone soloing, including an expected spectacular drum solo from Dan Brubeck.

    Chris Brubeck repeated the legend of his father's most famous classic, about Dave walking along a street in Istanbul, hearing street musicians playing a wild rhythm, and from that rhythm composing "Blue Rondo a la Turk."

    Photo by Denis Alix
    Photo by Denis Alix

    "It's one of the most fantastic, self-propelling songs ever written," said Chris, getting to play both his bass and his trombone with everyone together at the last. Chuck and Lorraine switched back and forth between piano and an electronic keyboard. Lorraine played a solo so rollicking, she was pulled up to her feet by the rhythm.

    "We were playing at the Hollywood Bowl," said Chris after the show. They were all talking. Nobody was listening." Unlike the audience of FIJM. What he said from the stage to them echoed his father's feeling for playing at the festival. "You're a great audience," said Chris to the sharp (and happy) minds of Montreal.