July 5, 2013. Posted by Michael Bourne.
Alain Caron was honored with the Montreal jazzfest's Oscar Peterson Award, a lifetime achievement award honoring a Canadian artist. He's the first musician to be honored twice.
In the 70's and 80's, Caron played electric bass in a very popular Quebecois jazz/rock power trio called Uzeb.
They were honored with the OP Award as a group in 1972, and played their farewell concert on the festival's biggest outdoor stage back then, the first of the festival's Grands Evenements that I attended.
I remember the group blasting into the night as tens of thousands of festgoers rocked the street.
Alain Caron blasted again at the Gesu -- although he always looked so calm, meandering casually around the stage while the band blew the roof off.
I can't remember a concert so loud (without being deafening) and so rocking at the Gesu. Something to do with musical dynamics, not the artifice of rock volume.
Caron's tunes have solid hooks, and his drummer, Damien Schmitt, is the dynamo. Playing two differently tuned bass drums, various other drums, and cymbals aplenty. Playing with staggering speed and sounding like a firefight of machine guns and cannons.
I pretty much lost interest in electric jazz/rock "fusion" -- or whatever it's still called -- back in the 70's, but live at the Gesu, feeling again the thunder of Caron's music was great fun.
"Jazz dans la nuit" concerts at the Gesu have been a festival of wonderful trios, and especially superb drummers. Bill Stewart with Peter Bernstein and Larry Goldings. Justin Faulkner with Jacky Terrasson. Dave King with The Bad Plus. Joey Baron with Steve Swallow and Steve Kuhn.
All trios that play beyond the ancient concept of a pianist playing the lead with the bassist walking harmony and the drummer keeping time. Each of these trios uniquely created together a fourth musical presence. Drummers were melodic. Bassists played the lead sometimes. Pianists whipped up some grooves.
I especially enjoyed Joey Baron, playing quietly, quickly, tunefully, every which way, always with a smile. Joey said he's happy playing with masters like Swallow and Kuhn. The Steves were as inspired by Joey. Kuhn's "Oceans in the Sky" was a symphonic whirlwind. Kuhn's "The Zoo" was a charming encore.
© 2013 WBGO
July 4, 2013. Posted by Tim Wilkins.
Saxophonist Joel Miller talks with WBGO's Michael Bourne about his Latin Jazz ensemble Honeycomb, and their performances at this year's Festival International du Jazz de Montreal. Enjoy!
© 2013 WBGO
July 4, 2013. Posted by Michael Bourne.
I bumped into a hippopotamus.
Actually, the hippo, about seven feet tall, walking on hind legs, bumped into me.
Actually, there were two hippos walking by, one tall, one short, on the festival street.
And two gigantic flamingos, pinkish and/or orange.
And stilt walkers, dressed in shiny purple or turquoise fabric feathers.
And a Balkan band was whipping up -- I'm not certain what the rhythm was. Not the usual 4/4 of jazz. More like 7 or 9 or maybe 13/4. I lost count where one was. Not that anyone was counting.
Everyone was having fun dancing. Including the hippos.
© 2013 WBGO