May 6, 2010. Posted by Becca Pulliam.
This weekend marks 100 years since the birth in Atlanta of Mary Lou Williams (1910-1981), one of the greatest musicians and first women in jazz. Creative, profound, productive from her teens in Kansas City through her teaching at Duke University, her life inspired Duke Ellington to write “Mary Lou Williams is perpetually contemporary. Her music retains a standard of quality that is timeless. She is like Soul on Soul.”
The Institute of Jazz Studies website is your quickest way to learn about her, just a click away. The online exhibit is thorough and beautifully done. Plan to spend at least 15 minutes with this multimedia biography. It comes from material in the Mary Lou Williams Collection (she was a saver and left everything to the IJS).
This Sunday at 6pm, JazzSet with Dee Dee Bridgewater features MLW in performances from more than 30 years ago, as she rocked the houses at the Universities of Michigan and Wisconsin. She tells and plays the history of jazz from spirituals through ragtime, blues, the “swingin left hand” a/k/a stride, and modern sounds. Only MLW could say "This music doesn't have anything to do with New Orleans or Africa. It's American music." And then she chuckles. Ronnie Boykins (1935-1980, veteran of the Sun Ra Arkestra) is on bass, Charli Persip on drums. (At Jazz Standard Tues night, when Mulgrew Miller played “Ev'ry Day I Have the Blues,” he paralleled MLW's Basie-like treatment of “Bag’s Groove” that closes the JazzSet.) Rebroadcast Wednesday at 6:30 or on demand any time.
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