IAJE Day 2 - The Gil Evans Commission

January 15, 2008. Posted by Joshua Jackson.

Add new comment | Filed under: alto flute, bass clarinet, clay jenkins, expense paid trip, foundation award, gil evans, harmonic material, herb alpert, honoree, IAJE 2008, iaje conference, interjections, jazz composer, jim white drums, johannesen, josh jackson, major thirds, maria schneider, peter sommer, tenor saxophone, time signatures

Each year, IAJE and the Herb Alpert Foundation award the esteemed Gil Evans Commission, honoring an emerging jazz composer. In addition to a modest fellowship, the honoree receives an all-expense paid trip to the IAJE conference to showcase the work. Past winners include Maria Schneider and John Hollenbeck.

This years winner is Wil Swindler, a Denver-based saxophonist and composer. Swinder brought presented his commissioned work, "Glass," featuring his Elevenet. They are - Wil Swindler (Alto Saxophone), Peter Sommer (Tenor Saxophone), Art Bouton (Alto Flute), April Johannesen (Bass Clarinet), Al Hood, Clay Jenkins (Trumpets), Jason Johnston (French Horn), Dave Stamps (Trombone), Gary Mayne (Tuba), Dana Landry (Piano), Erik Applegate (Bass), Jim White (Drums).
I asked Wil to describe the ideas behind his composition. Here's what he said:

This piece is composed on a four-note melodic cell transposed by major thirds to create a 12-note collection out of which the melodic and much of the harmonic material presents itself. It passes through a variety of time signatures and rhythmic feels, never straying from the four note cell and its derivative motives. Keep an ear out for the use of ensemble interjections during the alto solo - it is an acoustic representation of how a soloist might use a harmonization pedal to supplement some improvised lines.

Check out an audience recording of "Glass":
Wil Swindler Elevenet - Glass

-Josh Jackson

© 2008 WBGO

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