April 18, 2008. Posted by Joshua Jackson.
It has been amazing to know Dee Dee Bridgewater, and an honor to hear her read my name occasionally in the credits for JazzSet. And what an artistic career! Her latest recording, "Red Earth," a collaboration with Malian musicians, is just another reminder of how truly hip she is.
Long before she was the host of NPR's JazzSet (a program lovingly produced here at WBGO), Dee Dee Bridgewater was a part of our annual New Year's Eve coast-to-coast celebration, Toast of the Nation. From the ballroom at the Grand Hyatt in New York, Bridgewater greeted 1996 on the East Coast with music from her then recent recording, Love and Peace: A Tribute to Horace Silver.
© 2008 WBGO
April 17, 2008. Posted by Becca Pulliam.
Fred Hersch has been a friend of WBGO for at least twenty years. He was in Jane Ira Bloom's group when we recorded her at Citicorp Center for a series called Jazz at the Market (host was the Rev. John Garcia Gensel of St. Peter's Church). I remember that Fred and Jane had brought a piano tuner, but the Center didn't want their tuner to touch the piano. I was disappointed, and learning on the job. Fred was .. well, if not incensed, he was at least insulted.
Fred was part of a concert at Town Hall with MC Steve Allen (the TV personality, dating all the way back to the first Tonight Show). As Steve Allen was telling stories and getting into it, he turned to Fred and asked for "a little something underneath this;" on demand, Fred played the perfect "patter" music.
But Fred wasn't born for that role. From his earliest time in New York, he belonged in top groups. He was a sideman for leaders a generation or more his senior, such as Joe Henderson - from Ohio, like Fred.
At the Iowa City Jazz Festival in the 1990s, I remember Fred getting onstage and talking about funding cuts coming to the National Endowment for the Arts. He wanted me to do that with him, and I didn't. His political passion took me by surprise.
Fred studied with Sophia Rosoff (as did Barry Harris, a revered teacher in New York, who shows pianists how to produce sound through the keys by relaxing. Ethan Iverson of The Bad Plus was one of Fred's many many students.
The 1986 group must have been one of his first. Dick Oatts was on sax, Randy Brecker on trumpet, although they stepped aside for the ballad "Con Alma."
© 2008 WBGO
April 16, 2008. Posted by Joshua Jackson.
WBGO staffers have big love for vibraphonist Milt Jackson. Among the monumental contributions to jazz music, "Bags" turned a set of percussive steel bars into a more versatile jazz instrument. His was an altogether different sound for the vibraharp, sonically more warm and mellow than his predecessors, Lionel Hampton and Red Norvo. Milt Jackson made the vibes sing.
It's no wonder that Milt Jackson was himself a singer, a teenaged tenor in a gospel group, The Evangelist Singers, in his Detroit hometown. He loved the sound of the voice, and he accompanied many singers throughout his career. One of his last records was Sa Va Bella (For Lady Legends), a tribute to the leading ladies of jazz that Milt Jackson loved so much - Ella Fitzgerald, Billie Holiday, Sarah Vaughan, Dinah Washington, and Etta Jones.
WBGO recorded Milt Jackson's Quartet in the summer of 1996. The concert was part of the Oris Spirit of Jazz concert series (of which we are still proudly associated). Mike LeDonne is the pianist, Peter Washington the bassist, and Mickey Roker the drummer.
© 2008 WBGO