December 23, 2010. Posted by Alex Rodriguez.
The latest edition of JazzSet, produced by WBGO Senior Producer Becca Pulliam, features music from last year's Toast of the Nation extravaganza (which happened to be my first gig with the station, as an assistant producer.) Follow the link for the full hour of music and Becca's rundown of the evening.
© 2010 WBGO
December 27, 2008. Posted by Joshua Jackson.
Photograph by John Rogers
© 2008 WBGO
April 29, 2008. Posted by Joshua Jackson.
Circumstances could have been completely different. Charles Brown was a chemist. He attended college, earned a degree in chemistry, taught high school science, and landed a civil service job in Pine Bluff, Arkansas. That would have been a career track for most. Brown had other ideas. He bristled at the racism he encountered each day. He volunteered to serve in the second world war, but was deemed unfit due to asthma. So Charles Brown packed his bags and headed to California.
Thank goodness. Can you imagine a holiday season without "Merry Christmas Baby?" Or a world without "Drifting Blues?" And who played the piano behind a fellow Texan, Ivory Joe Hunter, on "Blues at Sunrise?" How about "Trouble Blues," or "Black Night?" Mind you, most of those songs were hits before Elvis Presley had ever set foot in Sun Studios.
How about one of my all-time favorite records, Sam Cooke's Night Beat? If you simply listen to the way Cooke sings on that record, you might reach the same conclusion I did - would that record exist were it not for Charles Brown?
Brown celebrated New Year's Eve with WBGO, part of the Toast of the Nation coast-to-coast live music party. He welcomed 1994 from the Sheraton Hotel in Tacoma, Washington. His cool, bluesy ballad style was especially poignant on a song popularized by Lucky Millinder.
© 2008 WBGO
April 23, 2008. Posted by Joshua Jackson.
Meet Paul Barbarin, one of the most important people in the history of New Orleans music, and the "how" we call jazz.
The Barbarin family constitutes one of the original lines of Creole musicians who were present at the creation of a new music. Paul's father, Isidore, played the alto horn in The Onward Brass Band, one of the early traditional brass bands in the city.
Before I moved to New York, I used to work at WWOZ in New Orleans. I started as a volunteer, operating the board for a woman named Betty Rankin. Every Saturday morning, while most people my age had hangovers from Friday night, I was in a tiny peach-colored building in Louis Armstrong Park, playing LPs, cassettes, and the occasional CD for a lady who wanted no business with those details. She spent her ninety minutes as "Big Mama," the host of "The Moldy Fig Jam." I was 22, and this was the most amazing radio I had ever heard in my life. She told stories about every jazz musician in the city who had ever picked up an instrument with the purpose of playing traditional New Orleans jazz.
As it happened, Big Mama was an associate curator of the Hogan Jazz Archive. She handled the extensive oral history of New Orleans' music, and she knew both the collection as well as the musicians' whose lives she had helped to document. On any given Saturday, she talked about Paul Barbarin as if he were in the studio with us. It was the beginning of my post-college, real world education. On one such occasion, it was the first time I had ever heard his song, "Bourbon Street Parade." She told her audience about the street parades, how Barbarin kept that tradition alive. In the 1960s, he revived the Onward Brass Band, the name of the group that his father played a part. In fact, Paul Barbarin died in a parade, leading the band. [While I'm no fan of death, that's a great way to shuffle off this mortal coil.]
Years later, on the cusp of 2002, I was the field producer for NPR's Toast of the Nation. We're at the Village Vanguard, with Michael White and The Original Liberty Jazz Band. Hear them play "Bourbon Street Parade" from that evening.
When I hear this song, I remember how I got this far into jazz. Because I live with music.
PS Watch the video of Paul Barbarin's funeral. The musicians are playing "Just a Closer Walk With Thee."
Watching that is knowing why New Orleans matters. Onward.
© 2008 WBGO
April 18, 2008. Posted by Joshua Jackson.
It has been amazing to know Dee Dee Bridgewater, and an honor to hear her read my name occasionally in the credits for JazzSet. And what an artistic career! Her latest recording, "Red Earth," a collaboration with Malian musicians, is just another reminder of how truly hip she is.
Long before she was the host of NPR's JazzSet (a program lovingly produced here at WBGO), Dee Dee Bridgewater was a part of our annual New Year's Eve coast-to-coast celebration, Toast of the Nation. From the ballroom at the Grand Hyatt in New York, Bridgewater greeted 1996 on the East Coast with music from her then recent recording, Love and Peace: A Tribute to Horace Silver.
© 2008 WBGO