WBGO Blog
  • New Ertegun Hall of Fame Website

    January 7, 2008. Posted by Joshua Jackson.

    Ertegun Website Capture

    Jazz at Lincoln Center just launched a new website, featuring the thirty inductees of the Nesuhi Ertegun Hall of Fame.

    It's Flash based, so it has some snazzy design elements, but it takes forever to load pages. If you're patient, you'll find some valuable information about each artist, including photos, timelines, and a jukebox feature.

    Anyway, check it out here. - Josh

  • Sam Woodyard - Stompin' the Yard

    January 7, 2008. Posted by Joshua Jackson.

    It's the birthday today of Sam Woodyard, one of the great drummers from Duke Ellington's Orchestra.

    Check out a killer solo from Sam Woodyard with Ellington, 1961.

     

    January seems to be a good month for drummers to join the world. This month alone, you'll find the birthdates of Kenny Clarke and Max Roach on the 9th and 10th (that's the bulk of bebop drums in two days). Then there's Grady Tate (1/14), Gene Krupa (1/15), and both Jeff "Tain" Watts and Jimmy Cobb on January 20th. - Josh

  • A few thoughts on Oscar Peterson

    December 28, 2007. Posted by Andrew Meyer.

    Oscar Peterson's passing this week got me to thinking about one of my first exposures to jazz...

    I wasn't always a news guy.

    As some of you might know, in a previous life, I did tech work in theater, both Off-Broadway and summer stock in Vermont. One summer in the early 90's, I was involved with a production of a new Doug Carter Beene play (which eventually moved to New York) called The Country Club. I wouldn't necessarily call it the most memorable of Beene's plays (who has had great success on the New York stage), but one of the things I remember the best from that production is the music selected for scene changes: Oscar Peterson Plays The Cole Porter Songbook.

    Album Cover

    I didn't know nearly as much then about jazz as I do now (you can't work at a place like 'BGO and not at least soak it in through osmosis), but I did recognize that this was a special album and a tremendous talent. I ended picking up a copy of this for my own cd collection. It was one of my first brushes with jazz, a good place to start. Thank you, Oscar.