WBGO Blog
  • Bourne's Montreal: The Best Of The Rest

    August 6, 2014. Posted by Tim Wilkins.

    I enjoyed Montreal for 12 days. And of the festival's more than 800 concerts, I attended all or most of 40. That's not even 5 percent of the Festival International du JAZZ de Montreal. That's how big it is.

    Here's (some of) what else I enjoyed at FIJM 2014. At Gesu:

    rudresh669
    Photo by Denis Alix

    Gamak, the intensely (and very differently swinging) Indo-jazz of alto saxist Rudresh Mahanthappa.

    Now This,  the lyrical almost-dreamscapes of pianist Marc Copland, bassist Gary Peacock, and kaleidoscopic drummer Joey Baron.

    Photo by Frederique Menard-Aubin
    Photo by Frederique Menard-Aubin

    Dr. Lonnie Smith with his octet.  Playing 4 (or was it 5? or more?) keyboards.  He's one of the best (and one of the last) of the McDuff/McGriff/Smith generation on the Hammond B3.   He played like a tidal wave.  Or like a baby's whisper.  He played tunes, but really much more as if a sculptor of grooves.  He blew the roof off the Jesus.

    At L'Astral:

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    Some of the best (often world-class) "locals" played the 6PM gig at L'Astral in the Maison du Festival, including pianist Vincent Rehel, trumpeter Jacques Kuba Seguin, and the lively kids-play-Pops group Misses Satchmo.

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    Guy Belanger is a helluva harmonicat.  Comes from blues essentially, but he erases all the lines between blues, jazz, and whatever other genres get too often boxed.  On even what looks like a dimestore harmonica from his pocket, he can sound orchestral.

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    Honored this year with the Oscar Peterson Award for a Canadian musician, trumpeter Ron DiLauro played Kind of Bluealmost note-for-note.

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    Usually when a great (and frequently Miles Davis) album is performed, I feel that I'd rather listen again to the actual album — but Ron's sound is so exquisite (especially through the mute on "Flamenco Sketches" and "Blue In Green") that the masterpiece of Miles et al came alive again.

    So many good players on the Montreal scene never get heard much (if at all) below the 49th Parallel, and some of them (like Ron DiLauro) have played for decades with Vic Vogel.  Sorry that I missed his big band.  He's the only musician who's played all 35 years of FIM.

    vogel600

  • Chris Washburne & Piers Playfair: Listen Now

    August 6, 2014. Posted by Tim Wilkins.

    Trombonist Chris Washburne and Catskill Jazz Factory founder Piers Playfair talk with Michael Bourne about the "Joy Of Jazz" festival in Tannersville, NY Aug. 6 to 8, which features performances by pianist Marcus Roberts, the festival's artist in residence, Washburne, and others. Enjoy!

    washburne669

  • Bassist Buster Williams: Listen Now

    August 4, 2014. Posted by Tim Wilkins.

    Bassist Buster Williams talks with WBGO's Rhonda Hamilton about his career and  "Something More" quartet, which performs at the Newark Museum on Thursday, Aug. 7 at 12:15 p.m. with Bruce Williams on alto saxophone, Eric Reed on piano and Billy Drummond on drums. Enjoy!

    busterwilliams669

  • Bourne's Montreal: Prizes Galore

    July 31, 2014. Posted by Tim Wilkins.

    I’m a judge for the festival's annual week-long competition of jazz groups from across Canada.  They compete on outdoor stages for the TD Bank Grand Prix: money and three festival gigs.

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    I have a ritual with my long-time frere de jugement, Martin Roussel, director of the jazzfest at Rimouski (334.9 miles along the St. Lawrence seaway north-east from Montreal).

    When we hear, sometimes more than half-way through the contest, a group good enough to win, we show an index finger:  "That's One!"

    roussel600

    Whoever plays thereafter will have to be better, and this year the TD "One" was a swingingly interplaying piano-bass-drums trio from Ontario, The Pram Trio.

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    There's also a special prize for the best composition, granted by the satellite television service Galaxie.

    This year, we voted the Galaxie prix to Montreal bassist Rick Rosato, composer of a tune without a title - only called “New Untitled”…

    rosato600

  • Bourne's Montreal: Pink Martini Dreams

    July 22, 2014. Posted by Tim Wilkins.

    Pink Martini is a frequent pleasure for me at the Montreal jazzfest. What they play is an elegant confection of pop songs and what used to be called “light classics,” chosen from across time and from around the world.

    I caught up with Pink Martini after their Sunday matinee performance at FIJM this year. Listen to our conversation here:

    Dressed in a scarlet gown for the concert with (what looked like, or sparkled like) a tiara, Forbes sang with her usual bounty of charms and chops.  And in umpteen languages, including Farsi.

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    "Amado Mio," sung by Rita Hayworth in the movie Gilda, is almost always the opener.   "Aquarela do Brasil," with the audience dancing, is almost always the finale. And in betwixt, they played a … "variety" does not fully encompass it.   More like a variegated cornucopia.

    Like one very obscure song they discovered from a very obscure movie, a torch song originally sung by sex kitten Mamie van Doren in a - not kidding - German western.  Or a song they adapted from a theme by French modern classical composer Francis Poulenc.

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    These days, Pink Martini are joined by the Von Trapps, three girls and a boy, all 20-something, all cute, and all grandchildren – not kidding - of the youngest of the singing Von Trapp siblings who inspired Rodgers & Hammerstein’s The Sound of Music.

    pinkvontrappA600

    This generation of Von Trapps sing "Edelweiss" and "The Lonely Goatherd,” both from the musical inspired by their great-grandparents - the captain and the nun who fell in love and escaped the Nazis with their passel of kids - on Pink Martini’s newest album, Dream a Little Dream.

    Thomas Lauderdale played piano deftly and conducted the mini-orchestra, amused the audience in French and invited the audience to come on stage and dance.

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis