February 15, 2010. Posted by Becca Pulliam.
The low ceilings of several New York basements have put a lid on Mingus's music for a long time now. But this past Saturday night it was quite the opposite as the 11-piece Mingus Orchestra played music that stretched over a big footprint and soared into the domed cathedral of St. Bart's Church. As the concert progressed, it sounded better and better.
© 2010 WBGO
January 7, 2010. Posted by Brandy Wood.
WBGO Jazz 88.3FM will broadcast the 2010 NEA Jazz Masters Awards Ceremony & Concert taking place on Tuesday, January 12 at 7:30PM in the Rose Theater at Frederick P. Rose Hall, home of Jazz at Lincoln Center at Broadway at 60th Street. The performance will feature the Jazz at Lincoln Center Orchestra with Wynton Marsalis in a program dedicated to the 2010 honorees’ works.
Joining the Jazz at Lincoln Center Orchestra will be many of the honorees themselves including Muhal Richard Abrams, Bill Holman (as guest conductor), Annie Ross, and Cedar Walton. Also featured will be 2010 Jazz Master Kenny Barron on solo piano and 2010 Jazz Master Yusef Lateef with percussionist Adam Pudolph. George Avakian will receive the A.B. Spellman NEA Jazz Masters Award for Jazz Advocacy.
Twenty-six fellow NEA Jazz Masters will be in the audience, including Toshiko Akiyoshi, Ornette Coleman, Paquito d’Rivera, Ramsey Lewis, and Dr. Billy Taylor. The broadcast will be co-hosted by WBGO’s Gary Walker and Sirius/XM’s Mark Ruffin, and carried on both WBGO and Sirius/XM’s Real Jazz channel.
© 2010 WBGO
December 6, 2009. Posted by Becca Pulliam.
NJPAC outdid itself, presenting the Branford Marsalis Quartet and Maria Schneider Orchestra on Saturday night. Branford is the classicist and Maria the colorist, and the third star is the concert hall, Prudential Hall. Read more
© 2009 WBGO
September 26, 2009. Posted by Amy Niles.
Are you going?
48 years ago, she was the opening act for Miles Davis ( well, according to her website, she WANTED to open for Miles but she didn't get the gig).
Lorraine Gordon, the owner of the Vanguard- has a deep philosophical connection to Streisand-they both share the same attitude about the causes they believe in and will stop at nothing for what they believe. Two dynamic women who have passions that transcend this business of music.
So, I approach Streisand's return to her acoustic, un- overproduced roots with optimism. Maybe she picked the Vanguard because she is finally ready to allow us to hear her instrument again. You can't hide anything at the Vanguard- Lorraine won't let you.
She has a new album. Diana Krall is on piano. She makes the connection singing Bernstein's "Some Other Time", a song recorded to perfection by Tony Bennett and the Vanguard's house pianist of that other time, Bill Evans. I reserve judgment until I hear it.
I am not going to her concert. I didn't even try to enter the lottery to get one of only 80 tickets. I will watch the video along with the gizillions of others next week, after she has had her chance to make sure that it is up to her standards.
Gee, when we make our monthly broadcast from the Vanguard, you get to hear and watch the artist live. Warts and all. That's jazz.
© 2009 WBGO
September 6, 2009. Posted by Rhonda Hamilton.
We’ve had another beautiful day at the Detroit Jazz Festival. I caught an early afternoon set by the Julliard Jazz Quartet. Even before I reached the stage, I was impressed by what I heard. I thought, “That pianist is very strong.” It turned out to be Donald Vega, a gifted player and composer from Nicaragua. The band began the set with two of his compositions, the energetic “Wake Up” followed by the lilting “Butterfly Waltz”. Then they segued into Monk’s “I Mean You.” Jeremy Biner’s tenor saxophone had shades of Joe Henderson and George Coleman. Bassist Yasushi Nakamura was solid as was drummer, Brian Carter
Hear for yourself on Monday’s Detroit Jazz Festival Special at 2pm on 88.3FM and online at wbgo.org
My next stop was the Mack Avenue Pyramid Stage where pianist Alfredo Rodriguez was giving a solo recital. There was a buzz about Alfredo at the festival, so I was anxious to hear him perform. Playing with the fire and passion of his Cuban homeland, Rodriguez elicited whoops and hollers from his new found fans. Just as handily, he laid a hush over the crowd with an introspective rendition of “Body and Soul.” Rodriguez has been championed by producer Quincy Jones so you can expect to hear a lot more from him in the near future. Alfredo Rodriguez is also featured on our Labor Day Special.
One of the memories of the 2009 Detroit International Jazz Festival that I will cherish forever is Gerald Wilson leading his orchestra in the premiere of his suite “Detroit.” The festival commissioned this work to commemorate its 30th anniversary. Gerald Wilson grew up in Detroit and attended Cass Tech High School. He said, “They taught me all I know. I wouldn’t be here today without them.” The suite includes a movement for his alma mater along with tributes to the Detroit River, Belle Isle and Gretchen Valade who is the major benefactor of the festival and the owner of Wilson’s label Mack Avenue Records.
Wilson clearly has great affection for Detroit. As the orchestra played the soaring melody of the suite’s main theme, he recited these words:
It’s beautiful… Detroit
Love is here
Freedom is here
In this great city of Detroit
© 2009 WBGO