January 16, 2008. Posted by Joshua Jackson.
You'll find a lot of good new music Thursday through Saturday nights at Smalls. All of it from Brooklyn residents. The Brooklyn Jazz Underground celebrates their 2nd Annual Festival with a bunch of shows at the affordable (!) jazz hang in the West Village.
Here's the schedule:
Thursday, January 17
8:00 PM: ANNE METTE IVERSEN QUARTET
Anne Mette Iversen (bass), John Ellis (saxophones), Danny Grissett (piano), Otis Brown III (drums)
10:00 PM: ALAN FERBER NONET
Alan Ferber (trombone), Scott Wendholt (trumpet), Will Vinson (alto sax), Chris Cheek (tenor sax)
Douglas Yates (bass clarinet), Nate Radley (guitar), Bryn Roberts (piano), Matt Clohesy (bass), Mark Ferber (drums)
12:00 AM: EMER/LACKNER/BERNARD BAND with Mark Ferber
Benny Lackner (piano), Will Bernard (guitar), Andrew Emer (bass), Mark Ferber (drums)
Friday, January 18
8:00 PM: DAN PRATT ORGAN QUARTET
Dan Pratt (tenor sax), Alan Ferber (trombone), Jared Gold (bass), Mark Ferber (drums)
10:00 PM: JEROME SABBAGH QUARTET
Jerome Sabbagh (tenor sax), Ben Monder (guitar), Joe Martin (bass), Ted Poor (drums)
12:00 AM: SUNNY JAIN COLLECTIVE
Sunny Jain (drums), Steve Welsh (tenor sax), Marc Cary (piano), Gary Wang (bass)
Saturday, January 19
8:00 PM: ALEXIS CUADRADO PUZZLES QUARTET
Alexis Cuadrado (bass), Loren Stillman (alto sax), Brad Shepik (guitar), Mark Ferber (drums)
10:00 PM: TED POOR & BAD TOUCH
Ted Poor (drums), Loren Stillman (alto sax), Nate Radley (guitar), Gary Versace (piano/organ)
12:00 AM: TANYA KALMANOVITCH'S GIRLFIGHT
Tanya Kalmanovitch (viola/violin), Jacob Wick (trumpet), Aryeh Kobrinsky (bass),
Jonathan Goldberger (guitar), Fred Kennedy (drums)
- Josh Jackson
© 2008 WBGO
January 14, 2008. Posted by Joshua Jackson.
Sometimes, everything works in your favor. Earlier this evening, I was God - well, the The Voice of God, actually - during the NEA Jazz Master Awards Concert. I only get this opportunity once a year, so I do my best to take advantage of the moment. When you're posing as a deity in a crowd of real ones, you might as well take control of reality. Michael Bourne refers to this unique ability of customizing your universe as being a Master of Space and Time.
Backstage was a real hang. Old friends Quincy Jones and Jon Hendricks, who share a lot of history, swapped stories about an era of music that I know only about because I read books. They lived it.
But I'm not afraid to talk to anyone. So I struck a note with Hendricks shortly after I took this photo. At 86, he's 53 years my senior. And he has more energy then I do. No more than ten minutes later, I'm in a cab with him. We're meeting Quincy Jones and a couple of friends for dinner. This is really happening...
We gather at Greg Couillard's Spice Room and Chutney Bar, a private dining area in a Yorkville mall. The room seats about 40. It's 11:30pm. The place is ours alone.
Couillard, from one of Canada's oldest families, and David Nganga, a Kenyan, are two of Toronto's finest chefs. They combine dishes with an understanding of spices from every world trade route - Africa, Asia, Indonesia, the Middle East, the Caribbean, India. They brought five courses of their own creation, and each one worked. Giant prawns, short ribs, lamb chops on a bed of chutney, flying fish and callalou pepperpot, Alberta filet mignon with foie gras, a dessert sampler to die for, and biscuits so good that a Southerner like myself had to ask for seconds.
I did not bring a microphone, nor a recorder. This wasn't the right time for such things. Anyway, we were improvising. What I can tell you is that the conversation went many places - New Orleans, Brazil, Toledo [OH], Dubai, Vegas, Miami's South Beach, New York. The stories were many - Q on the road with Lionel Hampton, Sing a Song of Basie, teaching kids about jazz and democracy, you name it.
What fascinated me most about Quincy Jones was his understanding of international politics. He knows the internal dynamics of most nation states, including the United States. He's an international businessman and a humanitarian. He has to know it all.
What you need to know about Quincy is that he is jazz. He never sleeps. He uses his power and wealth to affect social change. He's sending an envoy of New Orleans musicians to the favelas of Rio this year to show the rest of the world that poverty exists, and that it's inhumane. He's followed everywhere he goes (except to tonight's dinner) by a camera crew. They're making video podcasts. You should watch them.
He loves great food. His favorite is gumbo from New Orleans' Dooky Chase Restaurant, run by the Queen of Creole cooking, Leah Chase. Q knows the Chase family. He has the gumbo recipe, and someone cooks it for him when he's nowhere near New Orleans.
Quincy is also opening five clubs this year, in the US and abroad. They're called Q's Jook Joints. Frankly, wherever Quincy Jones is, that's where you'll find the real Q's Jook Joint. I'm glad that for one night, I got to jam there with two masters - Quincy Jones and Jon Hendricks.
When you're a Master of the Universe, even for just one day, you'd better know how to improvise.
© 2008 WBGO
January 12, 2008. Posted by Joshua Jackson.
Just after the promenade of NEA Jazz Masters, a spot of good news for US foreign relations. NEA Chairman Dana Gioia and Canada Council for the Arts chair Karen Kain presented an award posthumously to Oscar Peterson. Hear Chairman Gioia read the proclamation.
Kelly, Oscar's wife, and Celine, his daughter, accepted the award.
During the ceremony, Oscar's childhood neighbor, Oliver Jones, sat at the piano and played tribute to his dear friend. The Smithsonian Jazz Masterworks Orchestra, directed by NEA Jazz Master David Baker, joined Oliver for the musical salute:
Dave Young, Oscar's longtime bassist (1974-2006), joined Oliver for a trio take on Oscar's "Hymn to Freedom":
This was just the beginning of a phenomenal evening for jazz.
As I post this, there's an amazing show happening at Roy Thomson Hall in Toronto. The concert's called "Simply the Best." Herbie Hancock, Nancy Wilson, Quincy Jones, and everyone in Canada are coming out for Oscar. The concert is free to the public. Nearly 2,000 seats were awarded on a first-come, first-served basis to those who lined up at the box office. Fans began showing up at 5:30 a.m. We're hoping to secure rights to air the show on WBGO at a later date... - Josh
© 2008 WBGO