March 12, 2008. Posted by Joshua Jackson.
I am a city dweller, plagued by the New Yorker bias. That is, I very rarely go to New Jersey for anything other than to work at WBGO. However, I am not so entrenched that I won't shake my preconceptions for the right set of circumstances. So last night, I ventured to SOPAC for a performance from the SF Jazz Collective, a pride of eight musicians of the highest caliber.
Each year, the collective features original commissions, as well as arrangements of a noted modern jazz composer. This season, the band turns their all-seeing eye on composer and saxophonist (and Newark native) Wayne Shorter.
The end of time was the beginning of the set. Saxophonist Miguel Zenon's arrangement of Shorter's "Armegeddon" set us on the trailhead.
Here's what followed:
This That and the Other - a Joe Lovano original
The Angel's Share - penned by Matt Penman, a New Zealand import
Diana - from Shorter's Native Dancer, arranged by Renee Rosnes
Go - Stefon Harris arranged this Shorter composition with some backbeat boom bap. Great way to end the first half.
The second set pushed ahead into the abstract, modern aesthetic that makes the collective such a great band to hear. Drummer Eric Harland's "The Year 2008" set the tone, a composition built around a recorded vocal chant, Martin Luther King's "I Have a Dream" speech, and a reading of the Declaration of Independence. Rosnes' "Aurora Borealis" followed. Trumpeter Dave Douglas contributed "Secrets of the Code," an original work that used snippets of Wayne Shorter's music as source code embedded as a thread throughout the composition. Great stuff. The newest member of the collective, trombonist Robin Eubanks, ended the evening with his arrangement of Shorter's "Black Nile."
Only two complaints. The piano monitor levels in the house made the trombone articulation inaudible. That's just the music nerd in me. The other issue is this: I could not hear all of the band's repertoire in a single night. The SF Jazz Collective had more music in the kitty, but I'll have to see them again to hear the rest. Will do.
© 2008 WBGO
February 25, 2008. Posted by Doug Doyle.
I had a blast interviewing trumpeter Jon Faddis for SportsJam, WBGO's new sports podcast/on-demand feature. Jon is a real sports fan who loves the old-timers from several different sports. I asked him to put together his all-time jazz band made up of sports stars. He selected Tiger Woods to be the saxophone of John Coltrane. Find out who else he picked, his thoughts on why he thinks jazz and sports are related and hear about his special sports relationship with his dad. Listen now.
© 2008 WBGO
February 25, 2008
While we celebrate Jazz every day here for its energy and complexity, and relish in the swing of it, and nod our heads in approval at a monster solo, it can be easy to forget that Jazz has been at the forefront of social change movements and African-American history and culture for more than a century, supporting freedom movements abroad, civil rights struggles at home and fighting against war and racial injustice both here and abroad.
To celebrate that, we've launched a new podcast series called "We Insist!: Jazz Speaks Out." Over the four half-hour episodes, host Angelika Beener talks to some of the brightest lights in Jazz about how the music influenced them and how they influenced the music. Guests include USC Professor Dr. Robin D. G. Kelly, pianist Randy Weston; trumpeter Terence Blanchard; saxophonist Marcus Strickland and others.
Some of the featured music includes: Max Roach's "We Insist;" Miles Davis' "Jack Johnson;" Randy Weston's "Uhuru Afrika;" John Coltrane's "Alabama;" Sonny Rollins' "Freedom Suite;" and many more. The series launched Friday and we'll add epsodes weekly.
Listen (and subscribe) to the first episode here. - David Cruz
© 2008 WBGO