June 16, 2008. Posted by Becca Pulliam.
Saturday night a big event took place as pianist Martial Solal and bassist Francois Mouton from France drew perhaps 200 people (guess-timate) to the Museum of Modern Art, despite a monsoon-like rainstorm. Solal's repertoire is what student pianists had to learn in the 1970s. Examples from Saturday night are Cherokee, I Remember April, Round Midnight, Tea for Two, Body & Soul, Have You Met Miss Jones, Caravan, All the Things You Are, Ellington medley. What he does with them is his own! And Modern as in MoMA, I would say. His appearance at the Modern was part of its jazz film series, because he wrote the score to Godard's Breathless. But it would be fascinating to explore Solal's music in relation to the Modern collection, because he breaks up the melodies like 20th century painters fractured the natural visual order. If anyone knows more about this, please comment! His hands look totally relaxed, and seem to do exactly what's required, nothing extra. That can be fast fingers or a hand-fling or a pull-off, or two-handed glissandos going straight out from the center of the keys. Solal's mind must be as relaxed as his hands. Au contraire, Moutin dances with his bass, jerks, jumps, the two men are a contrast, decades apart in age but a great duo and appreciating each other a lot. Though Solal told us "I'll get tired before you do," eventually he closed the concert. Before it had begun, a drenched David Cruz -- spotted in the audience -- commented that it may be awhile before Solal (born in 1927 in Algiers, settled in Paris in 1950) is back. He has a new CD, though, and I hope lots of people will find their way to it.
He has a new CD -- Longitude -- with notes by the Rutgers Inst of Jazz Studies' (and WBGO's) Dan Morgenstern, who writes , "There are few greater pleasures in a jazz lover's life than listening to the music of Martial Solal. At 80, Solal seems to find as much joy in the creation of his unique artistry and transmit just as much of a sense of discovery to the listener as ever in his long and brilliant career."
© 2008 WBGO
June 11, 2008. Posted by Joshua Jackson.
Welcome to the show. Thanks for joining us tonight.
The first song is "Venga." It's from the last Guillermo Klein recording.
Called Una Nave.
Second song is "Juana." From LOS GUACHOS II.
This band has been rehearsing nonstop. That, combined with being together on and off for 13 years, makes a HUGE difference for the music.
9:19 Singer Carmen Canela has joined the band onstage. She is featured on the new recording, FILTROS. She flew in from Barcelona to be at the Village Vanguard this week. Singing "Amor Profundo."
9:23 Carmen singing "Textura de Sueno." This is based on a poem by Nicaraguan writer, Gioconda Belli. Loosely tranlated as "Haunted Night."
9:29 George Gershwin's "Fascinating Rhythm," with "Moliendo Cafe."
Carmen's last tune with Los Guachos tonight. Also from UNA NAVE.
9:32 Very powerful solo from Miguel Zenon.
9:41 "Vaca." This is an Argentine children's song with a beat from Ghana and a composition from the modernist Gyorgi Ligeti called "Hungarian Rock." Cool. Hear a story about it here.
9:47 "Yeso," from the new record, FILTROS. Everyone singing. A very beautiful song.
10:00 Evertime I hear this song, "Miula," I feel like I'm in a time warp. Guillermo told me he thinks about the movie, MATRIX. Funny.
10:13 Sorry, folks. I got so wrapped up in the last tune that I was neglecting the blog. Music does this to me.
Hope you enjoyed the show. Come back next week for Brian Blade and the Fellowship Band.
© 2008 WBGO