January 12, 2012. Posted by Alex Rodriguez.
After having such a great time last week in Los Angeles for the last leg of our Toast of the Nation broadcast (listen again here in case you missed it -- a great set featuring the Billy Childs Quartet,) I have been keeping an eye on the schedule at the great new jazz club where we made the recording, The Blue Whale.
As it turns out, Toast of the Nation producer Becca Pulliam wasn't the only one making a trip out from the East Coast to dig the scene here -- this past weekend, South Orange-based trombonist Alan Ferber brought his book of big band charts to play with a group of LA's top jazz talent. The Alan Ferber Expanded Ensemble played to a packed house on Friday and Saturday evenings -- between the enthusiastic crowd and Ferber's fresh charts, the group gave inspired performances on both nights.
Ferber, who played jazz as an undergraduate at UCLA and began his professional career here, could call on plenty of old friends to play his charts. The buzz for this musical reunion was palpable from the start of Friday's first set: anticipation hovered over the band as they worked their way through the first two pieces. Ferber's original tune "Angel's Landing" started things off, its broad opening fanfare giving way to a hard-swinging vehicle for angular solos by Ferber, guitarist Anthony Wilson and pianist Josh Nelson. The second number, an arrangement of Chris Cheek's "So It Seems," abandoned swing for a relaxed even-eighths vamp and flowing saxophone melody.
Things started to loosen up during the third piece, "Get Sassy," which began with a rambunctious trombone soli that featured all four trombonists -- Ferber, Garrett Smith, Joey Sellers, and Craig Gosnell -- slowly morphed into a slow, blasting 12/8 strut punctuated by drummer Mark Ferber's explosive hits.
Ferber's music is characterized by limited loyalty to the big band genre; the music swings hard when it needs to, but is just as often loosely designed to follow the moods of the improvising soloists. As a result, the pieces develop unexpected branches and surprises along the way. The fourth chart, "Reunion" is a good example: at times, it sounded like a traditional barn-burner, with up-tempo swing and virtuosic bebop melodies, but followed soloists Walter Smith III, Brian Swartz and Tom Barber in surprising directions as well.
Friday's first set concluded with a pair of Ferber originals, "North Rampart" and "Kopi Luwak." The first, a tone poem in homage to New Orleans in the wake of Hurricane Katrina, featured beautiful brass chorale writing and deeply soulful solo by Nelson on piano and Smith on trombone. The closer, named after the coffee bean delicacy harvested from civet feces, featured exciting, metrically serpentine counterpoint and a hard-rocking groove in 15/8. Ferber absolutely tore it up over the vamp, leaving the capacity crowd mesmerized.
Saturday's set featured many of the same charts, but with additional arrangements including a reworking of Bjork's "Hyperballad," a beautiful soundscape originally written for his wedding called "Wildwood" with a ridiculous flute solo by Katisse Buckingham, and "Jigsaw," which explored everything from free improvisation to frenetic rock, featuring truly wild solos by Buckingham (this time on alto sax) and Mark Ferber on drums.
So even though the New Yorkers had the Winter Jazzfest to keep their ears busy this weekend, Alan Ferber and his Angelino friends made sure that LA's jazz fans could enjoy more than just the sunny weather.
All photos by Eric Schmidt: www.ericjschmidt.com
© 2012 WBGO
November 17, 2011. Posted by Tim Wilkins.
WBGO presents trumpeter Christian Scott in a live video and audio broadcast from Boston, the first of our new series, The Checkout - Live from Berklee, from The Red Room at the Berklee College of Music's Café 939. Watch the live webcast below.
You can see all of our live concert webcasts, including our monthly broadcasts from the Village Vanguard and the 92Y Tribeca, here.
Each month we will present some of Berklee's best young talent, such as Scott, Berklee class of 2006, and saxophonist Seamus Blake, class of 1992, on December 7. The series is a partnership by WBGO with the college and NPRMusic.org.
Scott signed with Concord Records shortly after his graduation from Berklee and his first CD, Rewind That, was nominated for a Grammy Award. Originally from New Orleans, Scott is the nephew of saxophonist Donald Harrison Jr., with whom he toured as a teenager.
Seamus Blake has been called an "extraordinary, total saxophonist" by guitarist John Scofield, whose Quiet Band features Blake. Born in England and raised in Vancouver, Canada, Blake won first prize in the Thelonious Monk International Saxophone Competition in 2002 and can be heard every Monday night in New York with with the Mingus Big Band.
© 2011 WBGO
August 7, 2011. Posted by Tim Wilkins.
© 2011 WBGO
July 19, 2011. Posted by Joshua Jackson.
© 2011 WBGO
June 1, 2011. Posted by Becca Pulliam.
Last Friday night, I attended and loved this concert at the Borough of Manhattan Community College! The music had roots, it left them behind, it was a generous night.
Musical Director Matt Wilson calls the music "pre-bop," small group material from the 1940s by Neal Hefti, John Lewis, John Kirby, Tiny Grimes, Tiny Kahn, NEW arrangements for the occasion by Oded Lev-Ari. Matt assembled an improbable and wonderful band, below. Each player projected, each piece was a gem. Coming out of intermission, Matt gave us a "collision of songs," "a mashup," from an affecting trio arrangement of his "No Outerwear" (a/k/a "Out of Nowhere" and maybe "OON" is written on "Honeysuckle Rose?" .. help me here) to surprise walk on's by the rest of the group, vocalizing; things progressed unpredictably from there. If only I'd taken some legible notes. The smaller theater at BMCC worked beautifully for this; I saw Vijay's hands at work better than ever I've seen them before. Photos of 52nd Street a/k/a Swing Street were the backdrop.
Lost Jazz Shrines is Willard Jenkins' continuing series, and this Spring is the first time Willard has brought in a Musical Director. On Friday, June 3, see conguero Candido -- born in Havana, came to NY in 1946 -- with Matt's quintet Arts & Crafts. I wish we were recording these great nights for JazzSet!
Luckily I was sitting near a good photographer! BTW, Matt Wilson is also the Artist-in-Residence at this summer’s Litchfield Jazz Festival in Kent, CT.
© 2011 WBGO