• Bourne's Montreal: The Best Of The Rest

    August 6, 2014. Posted by Tim Wilkins.

    I enjoyed Montreal for 12 days. And of the festival's more than 800 concerts, I attended all or most of 40. That's not even 5 percent of the Festival International du JAZZ de Montreal. That's how big it is.

    Here's (some of) what else I enjoyed at FIJM 2014. At Gesu:

    rudresh669
    Photo by Denis Alix

    Gamak, the intensely (and very differently swinging) Indo-jazz of alto saxist Rudresh Mahanthappa.

    Now This,  the lyrical almost-dreamscapes of pianist Marc Copland, bassist Gary Peacock, and kaleidoscopic drummer Joey Baron.

    Photo by Frederique Menard-Aubin
    Photo by Frederique Menard-Aubin

    Dr. Lonnie Smith with his octet.  Playing 4 (or was it 5? or more?) keyboards.  He's one of the best (and one of the last) of the McDuff/McGriff/Smith generation on the Hammond B3.   He played like a tidal wave.  Or like a baby's whisper.  He played tunes, but really much more as if a sculptor of grooves.  He blew the roof off the Jesus.

    At L'Astral:

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    Some of the best (often world-class) "locals" played the 6PM gig at L'Astral in the Maison du Festival, including pianist Vincent Rehel, trumpeter Jacques Kuba Seguin, and the lively kids-play-Pops group Misses Satchmo.

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    Guy Belanger is a helluva harmonicat.  Comes from blues essentially, but he erases all the lines between blues, jazz, and whatever other genres get too often boxed.  On even what looks like a dimestore harmonica from his pocket, he can sound orchestral.

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    Honored this year with the Oscar Peterson Award for a Canadian musician, trumpeter Ron DiLauro played Kind of Bluealmost note-for-note.

    Photo by Marie-Claire Denis
    Photo by Marie-Claire Denis

    Usually when a great (and frequently Miles Davis) album is performed, I feel that I'd rather listen again to the actual album — but Ron's sound is so exquisite (especially through the mute on "Flamenco Sketches" and "Blue In Green") that the masterpiece of Miles et al came alive again.

    So many good players on the Montreal scene never get heard much (if at all) below the 49th Parallel, and some of them (like Ron DiLauro) have played for decades with Vic Vogel.  Sorry that I missed his big band.  He's the only musician who's played all 35 years of FIM.

    vogel600

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